Was this review helpful to you? [11], The small extraterrestrials in the final scenes were played by fifty local six-year-old girls in Mobile, Alabama. Spielberg was under enormous pressure to make another blockbuster after Jaws, but he decided to make a UFO movie. Then Roy's boss calls. The government specialists at the site begin to communicate with the UFOs, that gradually appear by the dozens, by use of light and sound on a large electrical billboard. The dialogue spoken by Roy's boss is completely different in the S.E. [11], Close Encounters was filmed anamorphically and the visual effects sequences were shot on 70 mm film, which has greater resolution than the 35 mm film used for the rest of the production, so that when the miniature effects were combined with full-sized elements through an optical printer, the effects footage would still appear clear and sharp despite having lost a generation's worth of visual data. You must be a registered user to use the IMDb rating plugin. Climbing Devils Tower behind the faltering Jillian, Neary exhorts Jillian to keep moving and not to look back, similar to Lot's wife who looked back at Sodom and turned into a pillar of salt. "[12], Spielberg and Schrader experienced creative differences, hiring John Hill to rewrite. Everyday Regular Fella." Vincent Misiano reviewed Close Encounters: The Special Edition in Ares Magazine #5 and commented that "Artists in other media have always had the luxury of returning to a piece, reworking and refining it. Filming locations for Steven Spielberg's 1977 Close Encounters of the Third Kind, with Richard Dreyfuss and Francois Truffaut, in Alabama and Wyoming; including Devil's Tower. [35] Spielberg explained, "I wanted to make Close Encounters a very accessible story about the everyday individual who has a sighting that overturns his life, and throws it into complete upheaval as he starts to become more and more obsessed with this experience."[26]. I go, Steve, that's the worst idea I ever heard. "[12] During pre-production, the title was changed from Kingdom Come to Close Encounters of the Third Kind. [39], The film premiered at the Ziegfeld Theatre in New York City on November 16, 1977[40] and played there and at the Cinerama Dome in Los Angeles, grossing $1,077,000 prior to its national release on December 14 when it opened in 270 theatres grossing $10,115,000 in a week with a per-screen average of $37,460. Three-year-old Barry Guiler wakes to find his toys operating on their own. [14] In addition the 1976 Atlantic hurricane season brought tropical storms to Alabama. The director's cut was once again released in theaters on September 1, 2017 in tribute to the film's 40th anniversary. In late 1973, he developed a deal with Columbia Pictures for a science-fiction film. Spielberg agreed to do the special edition to add more scenes that they were unable to include in the original release, with the studio demanding a controversial scene depicting the interior of the extraterrestrial mothership. When it comes to the ending of “Close Encounters of the Third Kind,” Richard Dreyfuss insists he wouldn’t change a thing. Hysterical Californians prepare for a Japanese invasion in the days after Pearl Harbor. for various reasons, money first among them, this opportunity has rarely been afforded to filmmakers. The United States Army evacuates the area, planting false reports in the media that a train wreck has spilled a toxic nerve gas, all the while preparing a secret landing zone for the UFOs and their occupants. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. Based on the true story of the Black September aftermath, about the five men chosen to eliminate the ones responsible for that fateful day. "[11], In 1979, Columbia gave Spielberg $1.5 million to produce what became the "Special Edition" of the film. Scientists broadcast the phrase to outer space, but are mystified by the response: a seemingly meaningless series of numbers (104 44 30 40 36 10) repeated over and over until Laughlin, with his background in cartography, recognizes it as a set of geographical coordinates, which point to Devils Tower near Moorcroft, Wyoming. [19], David Giler performed a rewrite; Hal Barwood and Matthew Robbins,[11] friends of Spielberg, suggested the plot device of a kidnapped child. [53] It made $1.8 million in the weekend ($2.3 million over the four-day Labor Day holiday), pushing its career global gross to over $306 million worldwide. [2] In fact, NASA reportedly sent a twenty-page letter to Spielberg, telling him that releasing the film was dangerous. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Close Encounters of the Third Kind Critics Consensus. [12] In the 1979 James Bond film Moonraker the five-note sequence is heard when a scientist punches the combination into an electronic door lock. In 1993, the Special Edition was released on VHS and LaserDisc and did not see a further release for 14 years. "[2] Spielberg hired Joe Alves, his collaborator on Jaws, as production designer. "[His] job for the government is to ridicule and debunk flying saucers." The 1980 Special Edition was the only version officially available for many years on VHS. An elderly witness claims "the sun came out at night, and sang to him." [81][82][83][84][85], For the concept from which this film derives its name, see. [11] Incidentally, Williams briefly included the song's signature melody in the score at Spielberg's behest, just before Roy Neary turns to board the mothership. [65] In American Film Institute polls, Close Encounters has been voted the 64th-greatest American film,[66] the 31st-most thrilling,[67] and the 58th-most inspiring. What other movies have the five-note tonal phrase? She is embarrassed and bewildered by what has happened to him and desperately wants her ordinary life back. [68] It was also nominated for the top 10 science fiction films in AFI's 10 Top 10[69] and the tenth-anniversary edition of the 100 Movies list. The song "When You Wish upon a Star" from Pinocchio influenced Spielberg's writing style. After the power outage, the O.V. Close Encounters of the Third Kind is a 1977 American science fiction film written and directed by Steven Spielberg, and starring Richard Dreyfuss, Melinda Dillon, Teri Garr, Bob Balaban, Cary Guffey, and François Truffaut. "[38], The film was originally to be released in summer 1977, but was pushed back to November because of the various problems during production. [11] Puppetry was attempted for the extraterrestrials, but the idea failed. In Amistad, for example, he devotes much time to illustrating the language barrier separating Africans from both their captors and their potential saviors. [27], Cinematographer Vilmos Zsigmond said that, during the time of shooting for the film, Spielberg got more ideas by watching movies every night which in turn extended the production schedule because he was continually adding new scenes to be filmed. Sony Pictures Entertainment published this video item, entitled “Close Encounters of the Third Kind (1977) – Holidays at Home Movie Marathon” – below is their description. these scenes are flip-flopped. 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